Edmodo

Εκτός λειτουργίας το edmodo. Ελπίζω όχι για πολύ. Προσπαθούν να το διορθώσουν.

Posted from WordPress for Android

Soundwalking

By Hildegard Westerkamp originally published in Sound Heritage, Volume III Number 4, Victoria B.C., 1974 Revised 2001 published in: Autumn Leaves, Sound and the Environment in Artistic Practice, Ed. Angus Carlyle, Double Entendre, Paris, 2007, p. 49. A soundwalk is any excursion whose main purpose is listening to the environment. It is exposing our ears to every sound around us no matter where we are. We may be at home, we may be walking across a downtown street, through a park, along the beach; we may be sitting in a doctor’s office, in a hotel lobby, in a bank; we may be shopping in a supermarket, a department store, or a Chinese grocery store; we may be standing at the airport, the train station, the bus-stop. Wherever we go we will give our ears priority. They have been neglected by us for a long time and, as a result, we have done little to develop an acoustic environment of good quality. Listening in that way can be a painful, exhausting or a rather depressing experience, as our ears are exposed often to too many, too loud or too meaningless sounds. Trying to ignore them, however, makes even less sense. Since we cannot close our ears, we cannot help hearing all sounds. No matter how hard we try to ignore the input, the information enters the brain and wants to be processed. Physically and psychically, we still have to compensate for any noise even if our ears perceive it unconsciously. In addition and most importantly, we desensitize our aural faculties by shutting out sounds and thereby not allowing our ears to exercise their natural function. Unless we listen with attention, there is a danger that some of the more delicate and quiet sounds may pass unnoticed by numbed ears and among the many mechanized voices of modern soundscapes and may eventually disappear entirely. Our first soundwalk is thus purposely exposing listeners to the total content of their environmental composition, and is therefore very analytical. It is meant to be an intense introduction into the experience of uncompromised listening.